Aalto's international reputation grew with a series of pre-World War II buildings, all made with wooden structures, such as the Finland Pavilion of the Paris International Exposition of 1937 or the Villa Mairea (1938-1939), built for a well-to-do client, where he also achieves, following the principles of rationalist architecture, a feeling of luxury never before achieved.
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Villa Mairea is archaic and modern, rustic and elegant, regional and.. In an essay entitled 'The Geometry of Feeling' (1985) 9,. Bachelard's analysis of the essential task of drawers, tupboards and wardrobes in our mental imagery sets an inspiring example.
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The Villa Mairea of 1939 is part Nordic sod-roofed hut, part vernacular log cabin with gutters hewn from tree trunks, part reinterpreted board-and-batten-clad volumes. But it is also part Scandinavian Functionalism that had developed quickly in the decade of the 1930s and part new industrial Finland, with its emerging ceramics and wood-products manufacturing.
Pearson states that following his initial classicist and functionalist works, it was in the final version o f the Viipuri Library (1935) with its picturesque drawings that Alvar Aalto established a way o f working that woxild lead to the full romantic repertoire sximmarised in the Villa Mairea (1936-9).25 Thereafter, allowing for the innovative use of brick introduced at the Baker House.
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Le Corbusier's Villa Savoye should be associated in my mind with the sound of gun-tire, and that Aalto's Villa Mairea will always recall the smell of of fate that Kentish blossoms. I mention these wanderings to emphasize that the book was written well outside the poky confines of the architectural fashion houses of our time. In it I have tried to.